Tom Mustroph (taz) : ‚Auch der Wind spielt mit‘ / 'The wind also plays a part'
The rooms alone are worth coming to. A total of 14 positions are presented in the Alte Münze. Most of them are completely new productions – an important feature of this producers’ festival initiated by Georg Klein. In the basement of the former mint, you are first greeted by very low tones.
Stefanie Egedy has set up a huge subwoofer box from which sub-bass frequencies between 35 and 63 hertz come out. The low frequencies are only marginally picked up by the eardrum. Instead, the whole body vibrates, indeed the air seems filled with pulsating matter. It is a physical experience that Egedy classifies as "better than sex", and indeed the vibrations get the body and mind quite moving. (taz - die tageszeitung, Berlin, 19.10. 2020)

Golo Föllmer (NZfM): Dystopie Sound Art Festival 2020. Berlin-Brasilien
Two major themes of the dystopian were thus always in the room: the threat to life from an invisible, incomprehensible danger, and the threat to freedom from state intervention. (…) Mario de Vega’s sound performance ‘El Intruso’ effectively sharpened the basic feeling of the festival on the last evening. In a large part of the exhibition spaces, the actual works were still visible, but: all switched off, dead. Instead, they were now overlaid by other elements. (Neue Zeitschrift für Musik 1/2021)